Monday, June 27, 2011

Bordeaux 2010


A Classic Claret Vintage

I traveled to Bordeaux in April of 2010 in anticipation of another superb year for the region - rumors abounded, there were rumblings in the press, and all of the factors of weather and growing conditions seemed aligned and pointed in the right direction. After a week of extensive tasting I can report back that indeed it is another great vintage, creating wines with incredible power and concentration, but in a very different style than the excellent 2009's with which it will invariably be compared for decades to come.

Both vintages have no shortage of concentration, depth, tannin and ripeness, yet they are structured very differently. The 2009's are more opulent, perhaps with a touch more alcohol, with chewy, riper and slightly softer feeling tannins. The 2010s are substantially more tightly wound, with higher acidity, firmer tannins and a more compact, linear framework wrapped around their intense core of solid fruit. Both are superb candidates for the cellar, with most of the opinion that perhaps the 2009s with their riper plusher character will shine a little earlier than the more classically structured 2010's. Vintage comparisons abound, with Bordeaux expert Bill Blatch noting the similarities with other softer/firmer historical pairings such as 95-96, 85-86, 29-28 and even 1900-1899, but these are approximations at best. While I can't say I have much experience with the older pairings, I can say that I think 2010 and 2009 are better than either of the more recent examples. Of recent great vintages I would liken the 2010 closest to 2005, but with more tannin and acidity - and yes, even better perhaps. Only time will tell.

Buying Strategy

As good as the vintage is, as with all vintages there is variation in quality and some wines clearly stood out from the rest. As is the norm with nearly every wine we stock, we at 56 Degree Wine prefer to taste for ourselves, make our selections, and offer a specialized culling of what we think is the best on offer rather than the shot gun "whatever-got-90-points-or-higher" approach. During the week I spent in Bordeaux back in April tasting the promising but tough young wines, I made my selections on the wines we plan to offer. The only missing piece of the puzzle is price, and as of today mainly the smaller Chateaux (with a few exceptions) have released prices. Regardless, both at the very top of the price range, and perhaps more importantly in the value category, we are committed to putting our money where our mouth is and selecting and offering only those wines we feel are the best examples of this superb vintage.

The following is a list of wines we have purchased to date. We will be sending offers as we receive pricing and confirmation from now through about the middle of July so keep an eye out as wines are often offered only in limited quantities, and prices can frequently, but don't always, escalate from day to day. Please feel free to contact me personally either at the shop, by phone (908.310.6127 cell) or by email at chris.cree@56degreewine.com if there is a specific wine you are interested in or to discuss strategy for putting a selection of wines from this excellent vintage in your cellar.

For the our complete offer of Bordeaux 2010 futures click here.

Cheers!

Chris Cree MW
56 Degree Wine

Thursday, March 10, 2011

Tips for BYO's - Some Thoughts on Making the Best of a BYO Restaurant

The ability to drink what you like is one of the best advantages of going to a BYO. You can always have your old fav and not pay restaurant prices! I know people who love big Cali Cabernets with everything from sushi to steak, and while I wouldn't do it, who am I to judge? I say have at it! Personally I like much more variety and diversity and make an effort to anticipate the flavors, weight and elements of the food at each restaurant. The ability to choose wines to match from my cellar or favorite wine shop is another BYO advantage. The beauty of BYO is that while many licensed restaurants carry "safe" wines - popular brands and grape varieties they know will sell - BYO gives me the freedom to explore and push the boundaries with a wide range of lesser known grapes and regions and way more opportunity to match the food - again without paying wine list mark-ups!

When trying to decide what wine to bring, first do a little research on the restaurant. If it's Italian, chances are that Italian wine is your best option, if it's a French Bistro, bring some country French wines, if seafood is the specialty you may bring a few extra whites, and hedge with a few extra reds if it's a steak house. Asian or or ethnic specialty restaurants will also factor in to wine choices. Best to call and ask about specials or go online and look at the menu and then plan the wine.

Always bring a little more than you need. "Corked" or "off" bottles can leave you high and dry, or an irresistible menu special might lead your wine pairing down a different path than you had initially planned for. Don't mind the stares, we always bring an overstuffed wine bag - if we don't use it all we just take'em home!

Bring a range of styles that are versatile and will cover a big range of foods. A nice light crisp white is a great way to start. Muscadet, Sancerre, Pouilly Fume from the Loire Valley of France, Vernaccia di Sangimignano, Arnies or Verdicchio from Italy, Albarino or Godello from Spain, and Gruner Veltliner from Austria are great food friendly options that will cover a number of salad, seafood and light appetizers. A fuller style of white to cover lobster, scallops and richer seafood dishes, as well as some poultry and other mid-weight dishes is a must. California Chardonnay of all sorts work for those who like more fruit, oak and power, white Burgundy for those who like a little more restraint, elegance. For reds, a medium bodied wine such as Pinot Noir or Rioja will cover medium weight cuisine such as pork, veal, duck. For fuller meat dishes such as short ribs, steaks and lamb, break out the full throttle reds. Bordeaux varietals (Cabernet Sauvignon, Cabernet Franc, Merlot, and Malbec) from all over the world work great here, as will wines made from Rhone varietals such as Syrah, Grenache and Mourvedre. These are the safe versions, but don't forget there is a wide world of wine out there! BYO's give you the opportunity to bring a bunch of wines to try. Again, if you open one and it doesn't work out just cork it up, take it home and have it tomorrow. Push the envelop and explore!

Glassware and service: Even some licensed restaurants have sub-standard stemware, and while I have seen many BYOs improving wine service, there are still a few who don't get it. It's geeky, but there is nothing wrong with bringing your own if the house version isn't up to snuff. If you bring an old and rare wine be sure to pay attention to service. It can vary in any restaurant, BYO or not, but at unlicensed locations there is typically less wine training. Difficult corks and sediments found in older wines can case problems for untrained servers so it is often best to take over opening and decanting in this case, or at least (nicely!) oversee the operation. Decanters at BYO's often don't get much use, so even though they may have been put on the shelf clean, over time they will gather fine dust or aromas that can ruin a wine. Be sure to have any decanter rinsed and cleaned prior to pouring the fine old bottle you have been saving.

Tuesday, January 25, 2011

Dreaming of Wine in America - Repost!


This post originally ran back in March of 2009 but as we are just getting in in the new vintage of the El Llano, the 2009 Carneros Chardonnay and doing a dinner with Rolando Herrera I thought it was worth a revisit! Wines have been updated to reflect current price and availability at the time of the post. Cheers!

Wine Dinner Information:
Mi Sueno at the Pluckemin Inn


Mi Sueno, which means “my dream” in Spanish, is the realization of the dream and vision of Rolando Herrera. In what is a great American story, Rolando was born in a small village in Mexico, and looking for a better life, moved to California in 1975. His life in the wine trade began humbly enough as a dishwasher at Auberge du Soliel, then on to line Cook at Mustards’ Grill where he began to appreciate the magic of great food and wine. At the age of 17 he took a summer job working as a laborer building a stone wall for Warren Winiarski of Stag’s Leap Wine Cellars, and was then offered a job working the harvest with the provision that he attend school in the afternoons. It was the beginning of a career that included 10 years at Stag’s Leap (the last seven as Cellar Master), assistant wine maker at Chateau Potelle, Winemaker at Vine Cliff and Director of Winemaking at Paul Hobbs. At each step along the way he absorbed his experiences, learning different aspects of winemaking, grape growing and marketing, developing his own vision which evolved into Mi Sueno.

“Each stop played a significant role in refining my style of winemaking. Stag’s Leap was the foundation.  It was here that I learned to appreciate the smell of the grape must and the feeling of being surrounded by barrels of fermenting wine. In addition, Warren taught me the value of attention to detail as well as to respect and enjoy the product we were making. At Chateau Potelle I was introduced to French winemaking techniques, including all-natural fermentation. I also learned that while anyone can make wine, to craft a truly unique and special wine, winemaking becomes more of an art form. My tenure at Vine Cliff provided me, for the first time in my career, a chance to be in complete control of the final product.” 

Eventually Rolando’s brother Ricardo joined him, having spent 10 years developing his talents as Cellar Master at Dominus and Assistant Winemaker at Screaming Eagle. Today they have a vineyard management company, and farm 40 acres of their own vines as well with terrific vineyard sites in Napa, Carneros and the Russian River Valley.

The wines are sold to us by Juan Prieto, owner of Vinifrance Imports, and Juan’s story is just as good as the Herrera’s. His family, solid middle class Cubans, lost everything when Castro and the communists came to power, nationalized private property and took their family business. After many hardships, they were finally able to leave Cuba and made their way to America with little more than the clothes they left with. Through hard work and drive, Juan and his family got him through school with a degree in Psychology which today is where he mainly makes his living. But his love of wine and food drew him to the wine business, and he began to travel, ask questions and learn everything he could. Eventually this led him to winemaker Michael Havens, a great long time friend of mine and Napa Winemaker, who subsequently led him to me about 20 or so years ago to ask advice about getting into the wine business. After giving Juan as many reasons as I could think of for not leaving his bread and butter job to open a wine distribution company, he went ahead and did it anyway. Today he has a great portfolio of artisan growers whose style and approach to winemaking we heartily endorse, making wines we love for their purity, expression, and natural approach, and of course, for their sheer brilliant quality. But he still has his day job!


We both work with on the French supply side with importer Olivier Daubresse, who aside from introducing us to some of our favorite French producers (Pascal Maillard, Guillon, Grivot and many more) has by far the most precise palate I have ever tasted with. With what I would call total recall and utter sensitivity, he is able to discern subtle changes that often the winemakers themselves don’t pick up in their wines. Travelling with Olivier is part and parcel to what I love about this business. I have spent long days the cold cellars in France together working on blends and selecting wines to import where you can see the relationship of respect and open communication between Olivier and his growers (Olivier pulls no punches!). This trust and understanding is based on a pursuit of excellence and results in our ability to source truly great wines (and share them with our clients!). Long, grueling days in cold cellars (I know, tough job!) are rewarded with lingering lunches and dinners, often with the winemakers digging deep in their cellars for magnificent wines in a spirit of sharing, mostly tasted blind, that challenges your senses and truly makes you think about what you are tasting. Vintage, soils, grapes, terroir, winemaking; how did these flavors and nuances arrive at the place and time we are drinking them? Every great wine tells a story of the year and conditions they were grown, the grapes and the soils and climate of the vineyards where they were grown, and the winemaking and care of the winemaker. 

Olivier’s personal story begins in the north of France, in a region best known for industry and far from wine country. As he tells it, the French social structure is a somewhat stratified system where upward mobility is difficult in terms of education, employment and career advancement, with layers of tradition and bureaucracy often creating impediments. So like many, Olivier went into the service industry, in his case the wine trade as a Sommelier, where he worked his way up to Wine Director of one of the best restaurants in France. He, like Rolando, found that his spirit was yearning for a better life in a place where his entrepreneurial ambition could be more easily realized, and eventually made his way to America. With stints at Bouley and Daniel in New York, he eventually left to follow his own dream of creating a business to import the small family owned estates he loved. These stories remind me, in a time when there seems to be so much negativity and doubt, of what a great place our country really is, with possibilities that exist here and nowhere else in the world. 

So what does all this have to do with wine? Not much, really, but it does reflect a little on my approach to it in a business sense. While the quality absolutely has to be there, wine is about more than just what's in the bottle, and definitely more than reading the press, checking the scores and ratings and stocking what is popular. It's about choosing to work with people who believe in what they do, who have a passion so strong they are willing to take risks and walk a sometimes difficult path to accomplish their goals. When you surround yourself with people with these characteristics and philosophy, quality usually follows - but on to the wines!

What I love about these wines is that they are a summation of all the experience and talent from the Herrera's years learning their art, and yet they sell for a fraction of the price of the wines from the places where they learned it. In addition, while they have California exuberance, they are also restrained and elegant, balanced, plush and deliciously drinkable. All are extremely limited production and worth getting to know. 

Mi Sueno Chardonnay Carneros 2009 – The grapes for this wine are grown in the cool Carneros region, and the resulting wine is balanced, with good ripeness and lively tropical fruit, creamy vanilla and a clean finish. About 35-40% new oak keeps it in check and allows the delicious fruit to shine through. Incredible value! $32/bottle

Mi Sueno Chardonnay “Sonoma Mountain” 2007 - The Sonoma Mountain is full, rich, but with restraint and only moderate oak, hints of apple, nutmeg and vanilla. Tiny production – excellent quality! $49/bottle

Mi Sueno Carneros Pinot Noir 2009 - This wine was first made by Mi Sueno in 2002 with purchased fruit, but discontinued it until their own vineyards were mature enough to provide the fruit. Planted on white soils with lots of lime it has lovely aromatic of red and dark cherry, lively fresh and mouth filling on the palate - California fruit (but in check), with fresh acidity underneath and a silky, smooth middle and finish. Lovely! Tiny production. $39/bottle

Mi Sueno El Llano 2009 - This is a blend of between 20-35% Syrah with the balance Cabernet Sauvignon, depending on the vintage, from vineyards near Caldwell's in the Coombsville area of Napa. Deep and dark, with cedar components and focused dark fruits both on the nose and palate. Long, solid and balanced, with just enough oak to compliment but not dominate. $49/bottle


Mi Sueno Napa Cabernet Sauvignon 2008 - Although the 2007 vintage was highly regarded for its vigor, depth and cellar-worthy characteristics; 2008 did not fall too far from the same tree!  Three words for you: elgance with decadence. This wine was crafted in the classicly-balanced style that Rolando has been known to make. Showcasing fruit from the Coombsville area of Napa (soon to be an AVA), this Cabernet is sure to grab your palate's attention with its firm, yet approachable tannins followed by its smooth finish. Tiny production, only 5 cases available. $65/bottle

Wednesday, January 12, 2011

Port - The Perfect Winter Warmer

When port comes to mind, most people think of the great Vintage Ports from the top houses such as Graham’s, Warre’s, Fonseca and Taylors. These superb wines are certainly some of the finest produced especially in great years. But Vintage Port is not inexpensive, it takes decades to evolve and reach its prime and represents only a small fraction of Port made. The good news is that there are a number of more affordable, ready to drink styles that can offer as much or more pleasure than drinking a great Vintage when it is far too young.

Wine has been made in the Douro Valley for nearly two millennia, but it was the arrival of the English in the 1700’s, smarting from their troubles on the Continent with the French that resulted in a lack of access to their preferred wines such as Bordeaux, that had a major impact on the Port trade. The treaty of Methuen in 1703 created a favorable trading relationship and low import duties between England and Portugal, setting the stage for the expansion of wine exports. In order to improve the fierce wines they found and to increase its stability for shipping, the practice of adding alcohol to the wines began, and Port as we know it today was born. Today the British still largely own the Port trade with Taylor Fladgate, Cockburns, Croft, Dow, Graham, Gould, Osborne, Taylor and Warre’s all English owned.
Port takes its name form the seaport city of Oporto, which lies at the mouth of the Douro River where it meets the Atlantic. Port is a fortified wine, made by stopping the fermentation process with an addition of a neutral grape spirit (called aguardente) before the yeasts have converted all of the sugars to alcohol. This has the dual effect of retaining sweetness in the wine and bringing the alcohol level up to about 21% by volume. All Port is made virtually the same way up to this point: grapes harvested and crushed, still by foot in some cases, in large trough like vats called Lagars, and then the spirits added to stop fermentation part way through. The variations that create the different styles of Port occur mainly during the maturation process.
While many countries produce fortified wines called Port, the real deal can only come from Portugal, made from grapes grown in the Douro River Valley. It is the third oldest protected wine appellation in the world, having been legally established in 1756 in effect to regulate and improve the quality and reputation of its product. The region begins about 40 miles upriver from the city of Porto on the Atlantic and extends east almost to the Spanish Border. The Serra do Marao mountains form a barrier than protects the region from maritime climate along the coast. There are several sub-regions as one travels upstream towards Spain, with the climate cooler and wetter in the west and becoming drier and warmer as one gets further east. The climate plays a role in the quality of grapes and the style of wines they produce. Grapes grown the western most (cooler, wetter) are mainly used for cheaper Ruby and Tawny Ports. The Cima Corgo which is higher, drier, and warmer produces Vintage and the higher quality Ports. While dozens of grapes can be used by law, the main varieties used are Tinta Roriz, Tinta Barroca, Touriga Francesa, Tinta Cão, and Touriga Nacional for reds. White Port is made from mainly Esgana-Cão, Folgasão, Donzelinho Branco, Gouveio, Rabigato, Malvasia Fina, and Viosinho, but is also a fortified wine.
All Port begins essentially with the same process of fermentation. It is in their maturation where many of the differences in style have their origins and there are basically two large families of Port styles. The first are the cask-matured wines. These wines are aged in large barrels until they are ready for consumption and include Tawny, Colheita, and the rarely seen Garrafiera. Ports in this category can range from ordinary Tawny, generally inexpensive without a long period of age, to wines that are aged 10, 20, 30 and even 40 years in cask. The aging process in large barrels allows oxygen to interact with the wine, and they take their name from the color they achieve as the oxygen and aging process slowly changes their hue from deep ruby/purple to their namesake amber brown. They are typically a blend of multiple vintages, and are off dry to sweet in style, with a caramel, nutty elegance to them. Colheitas are similar to Tawny Ports but are from a single vintage and also aged in cask for many years. Cask matured Ports, since they have done their maturation in an oxidative environment, sometimes for years, have thrown most of their sediments in cask before bottling, or have been filtered before bottling and thus do not need decanting. They don’t improve with bottle age, are corked with a stopper cork that can be removed without a corkscrew, and once opened can last for weeks and longer. While many seem to focus on Vintage and Ruby styles, I personally love old Tawny – and would prefer them to drinking a great vintage Port too young. Best value/quality seems to be the 20 or 30 years olds as they have the character of age, but are not as expensive as 40 year.
The second group are the bottle matured Ports which are often referred to as Ruby Ports. They are only mature a short time in casks, with the best spending years maturing in bottle instead. This group includes Vintage, Reserve, Late Bottled and Crusted Port. Simple Ruby Ports are inexpensive, fermented in stainless steel to keep them from oxidizing like Tawny Port, and are known for deep color and juicy sweet, sometimes candied fruit. Vintage Ports are often seen as the premier category of Port and are made from the best grapes grown in the best vineyards and are from a single year. Vintages are declared only when the Port Houses feel the conditions are right, and it is up to the individual shipper to decide whether to declare, with the decision made in the spring of the second year after harvest.  Vintage Ports are only aged about two years in cask and then complete their maturation in the bottle over many years. They are deeper, darker and concentrated, black purple when young. They have the ability to age and improve for decades and often only truly come into their own after 20 years or more. When young, they can be fierce and sometimes peppery, tannic and spirity, albeit still sweet, evolving towards ruby and garnet in color as they reach maturity, softening and becoming fine, elegant and complex with time. Vintage Port has true cork, requiring a cork screw to remove. As they have aged primarily in the bottle, they can have quite a heavy deposit of sediment and need decanting. While they stay fresh a bit longer than most unfortified wines, they should be consumed within several days of opening. Single Quinta Ports are Vintage Ports from one single property or estate, whereas a Vintage Port may be a blend of many Quintas. They are often made when a Vintage is not declared, and while they have the same characteristics of Vintage, they sometimes are earlier maturing. They are usually a little less expensive than Vintage, and these include Graham’s Quinta do Malvedos for example, and have the name of the Shipper and the Quinta on the label. 
Late Bottled Vintage are Ruby Ports that have been in cask longer than Vintage and shorter than most Tawny, between two and four years. Somewhat of a hybrid, they come in two styles, filtered and unfiltered.  They fill a need for Ports with the characteristics of a Vintage Port but without the need for many years of aging in bottle. The filtered LBV’s are similar to Tawny as they are ready to drink on release, have stopper corks and do not throw sediment. The unfiltered LBV’s, called “Traditional Late Bottled” until the laws changed in 2002 are now referred to as “Bottle Matured” or “Unfiltered” to distinguish them. This style is closer to Vintage in style, throws sediment, will age in bottle, needs a corkscrew to open and should be drunk within several days of opening. These are often the best value in Ruby style and can be very similar to a good, mature Vintage at a fraction of the price.
Crusted Ports, not often seen in the US and are more common in Great Britain, are akin to a Late Bottled Unfiltered but are from several vintages. They have true cork closure, throw sediment and do age in the bottle, and need decanting like Vintage Port, however the shipper often holds them until they’re ready to drink.
Cask aged Ports are pretty much ready to drink on release and since they have a stopper do not need to be stored on their side. Bottle aged Ports and Vintage Ports are stored like any other wine, on their side to keep the cork moist, cool, dark and no vibration or temperature fluctuations. Port is typically served after dinner with a selection of cheeses, Stilton or similar blue one of the best options, some crusty French bread, fresh pears and apples, dried fruits and an assortment of nuts are perfect matches. Chocolate is a great match too, and of course Port is perfect post dessert with a great cigar.
Tradition has it that Port is always passed to the left, with the host first serving the guest on the right and then passing to his left (his port-side in nautical jargon), with the process continuing in turn until everyone has been served, without the Port being set down on the way around. In one version if the Port stops, it is seen as impolite to ask for it, rather one asks the person closest to the decanter if he knows the Bishop of Canterbury (any town in England will do). This is obviously not done to get an answer, but as a gentle reminder to pass the Port. If the reply is “no”, then the next comment is “well the Bishop is certainly a very good fellow, but he never passes the Port” which in turn prods the person who is holding thing up to realize they have hogged the Port. 
To View our selection of Port visit us online at 56 Degree Wine - Cheers




Friday, November 19, 2010

 OK, so it's been a good wine week but I have to either get to the gym (not my first choice) or my new skates have to arrive so I can get on the ice and burn some calories, or I am going to have to fast until Christmas! Last nights dinner at the Mockingbird Cafe in Basking Ridge (Tom and Kathy West who had the Limestone Cafe for years in Peapack/Gladstone now own it) was truly amazing. Food was great - perfect with the wines, understated, nicely prepared and presented, complimenting perfectly without upstaging at all. But as good as the food was, the spotlight was on the wine. I daresay it will be a while before this casual neighborhood Bistro sees the likes of what we drank again. Here is the line-up believe it or not!

Corton Charlemagne 2000, Bouchard Pere et Fils - Lovely, solid and complex, just beginning to develop some bottle age characteristics. Delicious now, even better with 4-6 more years my guess.

Fontaine Gagnard Batard Montrachet 2004 - Way too young, a great wine that has lost its initial tight, linear and closed in character but is still all primary. Beautiful definition, balance, and harmony with all the parts in the right places. Needs 7-10 more years is my guess to really develop its full potential. Would love to be around to try it then!

Dom Perigon 1985 - Medium straw gold and just a hint of amber. Lovely nutty nose, fullish, mouthfilling - dryish and showing some age, this has been cellared here rather than held and late disgorged at the winery. A bit more evolved than those examples but still a complex, lovely old bubbly!

Joslyn Napa Cabernet Sauvignon 2006 - Poor wine! Totally unfair in this mixed company - solid new world dark fruits, sweet oak, good depth, plush, supple and approachable. Outclassed tonight but a very nice wine in its own right.

Cheval Blanc 1949 - Drinking Cheval in almost any vintage is a pretty good time, but to have this benchmark wine was really a treat! Still very fresh, dark earth and plum, mature notes, with tea and smoke. Seamless and silky on the palate, it actually kept filling out and putting on weight as it aired in the glass. Beautiful, elegant and fine. A great experience!

Mouton Rothschild 1966 - No doubt over-achiever of the evening, this was solid, dark and brooding with earth tones - the word merde was thrown around, but duly noted it was good merde! Classic Mouton cedar and cassis, #2 pencil! Solid, still fresh, in great condition and a powerful delicious wine.

Chateau Latour 1982 - Solid and dark still in color, big boned, lovely concentrated, dark earth tones, hints of cedar, earth. Complex, layered, long and drinking beautifully. At some point in time the superlatives become superfluous - let's just say these last few were all monumentally great wines and forgoe arguing about which is best - all great!

Chateau Climens Haut Barsac 1959 -  Evolved nose of Creme Brulee, caramel; mid weight, classy and fine on the entry with moderate sweetness and good flavors - finishing drier and very long. Balanced, not quite delicate but reserved in style - very pretty and drinking very well. 

Warres Port 1970 - A bit spirity on the nose, certainly mature but still holding very well. A fairly dryish style, mid weight, lovely Port and a great way to end the evening!

Thanks all for a great evening, great wines and especially to Chip for digging deep and providing some truly great wines! Let's do it again!

Weingut Carl Schmitt-Wagner: Transported in Time

The 1937 Schmitt Wagner - Photo by John Osborne
In June of 2000 I spent an incredible week in Germany with importer, wine guru, and German wine evangelist Terry Theise. For those who don't know him, he is a legend in wine circles, having almost singlehandedly built a market in the US for high quality German wines, and then, as if that wasn't challenging enough, did it again for Austrian wines and grower Champagne. No small feats, he has earned the respect and admiration of many a fellow geek, this one included. Traveling with Terry is an exceptional experience. There is his deep knowledge of his growers and their wines, his wicked sense of humor,  one might say it's punishing, and his unfiltered opinions to keep you occupied while your gums recover from tasting the hundreds of high acid, youthful wines you taste on the trip. (Sensodine toothpaste is officially recommend as a salve and must have item for your travel kit.) And then there is the fact that the growers open their hearts, homes and cellars when Terry comes to call. Along with the new releases from the previous year, we tasted countless old vintages, many times blind, in an exercise that pretty much humbled us every day. We'd guess "old, perhaps 1985?" only to have the wine revealed and find we missed the mark by a mere 10 or 15 years. I was already drinking the Riesling Kool-aid, having started my career in wine with a trip to Germany in 1979, but it was this trip where the age worthiness of this oft unsung grape was made crystal clear in my mind.

But in a week of great wines, no moment was more special than the tasting we had at Schmitt-Wagner. Quietly and without fanfare after a tasting of multiple wines including 1983, 1979, and 1976, Bruno Schmitt brought out a bottle of 1937 Longuicher Maximiner Herrenberg Auslese - one of only a handful of bottles he had left. He was seven years old  that year, and he told us how he remembered picking the grapes with his grandmother because his father had been conscripted into the German Army, and how they hid the wine during the war so the soldiers wouldn't take it. My notes began with "deep caramel color, earthy and caramelized on the nose - still with hints of orange blossom and baked apple pie. On the palate, still very much alive, with sweetly concentrated baked apple, spice....."  and then just trailed off.  All of us tasting were left in a moment of silent, thoughtful,  almost reverential reflection, lost in the aromas and flavors of the wine and the haunting images of a dark time in Germany just before the outbreak of the Second World War. What more could you say? This wine and the experience were beyond words. It was the sense of history, the passion of Herr Schmitt whose eyes had the tell-tale signs of deep emotion as he recounted the tale, and the ability of this miraculous beverage to capture a place in time and transport us back so many years ago. 

The Schmitt-Wagner winery has a long and storied history that makes the 1937 date seem like yesterday. The first mentions are in the 12th Centry as part of the Benedictine Abbey in Trier, with the actual property dating from 1714. Around 1804 when Napoleon secularized the vineyard holdings of the Church the Schmitt Wagner family bought some of the best vineyards that had been owned by the clergy at the Benedictine Convent of St. Maximin in Tier and began their Estate.

The vineyards are on two steep slopes on the Mosel River across from the village of Longuich. The Maximiner Herrenberg vineyard has a south-southwest exposure and is over 60 degrees steep. The terrain consists of a very deep weathered slate soil over Devonian slate. The Longuicher Herrenberg vineyard is above the Maximiner Herrenberg in the middle of the slope, with deep soils partially filled with Devonian slate, and it is slate that is the story here, imparting an unmistakable stony/mineral character to the wines that supports their lovey apple fruit tones and sweetness. Wine making is old school and traditional, fermentations are with all natural indigenous yeasts, and the philosophy is that the wine is made in the vineyard, not the cellar. The results are brilliant, understated, elegant wines that capture the essence of the Riesling grape and their particular terroirs. Lovely and fresh in their youth, they age in a way that belies their purity and elegance. To purchase Schmitt Wagner wines visit us at 56 Degree Wine.

For more information about Terry Theise click here (it's a great site, click on Terry's squawk box for some great reading). For a visit to the Schmitt Wagner website and more detail on this excellent producer click here. For more photos from the trip click here.  Watch the interview with Terry Theise below - video from Michael Skurnik Wines and Thames River Wine & Spirits in New London, CT !



Wednesday, November 17, 2010

An Incredible Evening at Cafe Matisse

Had an awesome evening of food and wine at Cafe Matisse in Rutherford with delicious cuisine prepared by Chef and owner Peter Loria who came out from the kitchen and joined us from time to time with details of each complex and delicious dish he prepared. Food great, wines outstanding, company terrific - thanks everyone for bringing such great wines! We started the evening with a selection of delicious amuse, then each chose 3 selections from the tasting menu of about 12 or so offerings - a nice way to be able to graze through the creative menu.

Champagne Blanc des Blanc "Substance" Disgorged October 28th, 2008, Jacques Selosse . When will we ever learn??? Never, ever serve this as the first wine unless you have about an hour to spare because in my opinion that's how long it takes this mind blowing bubbly to show its true colors. Best advice: open a Sancerre or crisp white for apps, the open the Selosse and decant, wait about 15-20 minutes, pour into a good sized wine glasses, no wimpy flutes, and it will finally give you a full view of its extraordinary complexity. Not that it's not good right out of the gate, it's fresher and more lively in a way, still showing hints of its unique elevage both in its slightly amber hue and its lovely evolved and aromtic bouquet. But with a little air this wine unlocks grilled almonds, pain grille, hints of sherry, and a mouthful of complex, layered, flavors. It has a solid core, hard to call it "fruit" because this is different, transformed from raw fruit to something altogether more multi-faceted,  mineral and focused and weathered. The background information below is from the Rare Wine Company, importers of this outstanding Champagne Domaine:


"OVERVIEW
Established: 1950-1960
First Vintage Bottled: 1960
Proprietors: Corinne & Anselme Selosse
Since assuming control of his father's estate in 1974, Anselme & Corinne Selosse have redefined Champagne with fastidious viticulture, innovative élevage, and intensely vinous Champagnes.

VINEYARD INFORMATION
Soils: classic chalky marls
Vines: Approx. 0.85 hA of Pinot Noir, and 6.65 hA of Chardonnay in the elite villages of Avize, Cramant, Oger, Le Mesnil, Aÿ, Ambonnay and Mareuil-sur-Aÿ.
Appellation: Champagne
Harvest: by hand

ADDITIONAL NOTES
Selosse features some of the lowest yielding vines in the region - leading to the region's ripest, most expressive fruit.
They encourage the natural growth and evolution of the soil so that it may express minerality in the wine.
Primary fermentations occur in a mix of pièces (228L), fût (400L), and demi-muids (600L).
Malolactic fermentations are free to occur (or not) as each individual lot evolves.
Wines are held for one year in barrel, with 16% new barrels added to the rotation each year. Reserve wines spend a year in foudre before being moved to INOX.

The winemaking notes included here are only guides. Because the Selosses' raw materials vary according to vintage conditions, they adapt their techniques each time they craft a cuvée. Their goal is always to maximize each wine's expression of identity and terroir.

Cépage: Each year, 22% is withdrawn from a solera (started in 1986) of two Avize parcels; a south-facing slope and an east hill-base.
Bottle Aging: The wine ages a further 5-6 years in bottle before disgorgement.
Dosage: 0-4 g/l
Production: 275 cases" Notes quoted From The Rare Wine Company.

First Course: Pan Seared Scallops and Foie Gras with Wild Mushroom Ravioli, Gingered Butternut Squash and Dollop of Mascarpone, Drizzled with Sage Pesto Topped with Apple Relish, Spiced Walnuts and Dusted with Star Anise
 
Puligny Montrachet Les Pucelles 1992, Paul Pernot - Youthful color, very fresh, better than a bottle of the same I had back in September, this was in positively perfect condition. Lovey, stony, cool mineral nose with hints of lemon creme - a wine in its prime and simply drinking great. Little cold at first, this opened and developed complexity for the entire evening - mouth filling, layered, beautiful white Burg! 

Vouvray Clos du Bourg Moelleux 1985, Huet - Pale straw color that looks more like a wine bottled in 2005 offers a hint of the character of this nearly perfect example of Chenin Blanc. A lovely nose, perfumed, wet stones, hints of Irish wool, citrus blossom, quince, tangerine and white flowers. Comes in elegant, sanftig - pure and seamless and finishes clean as a whistle and leaving the impression that this ethereal wine could last another 20+ years and still only just be coming out of its shell. Pure, mineral, with sweetness to start and then almost dry into the finish that goes on and on. Could be wine of the night, and in this line-up, that's saying something! $80? Ridiculously cheap!
 
Second Course: Osso Bucco - didn't keep good notes here but a creative take on the classic.
 
Barolo Monfortino Riserva 2002, Giacomo Conterno - Potentially one of the great Barolos of all time? We shall see but this first taste since the impressive barrel sample I had back in 2007 shows a huge, promising future. Could it be that its struggle in the difficult conditions during the 2002 vintage has added a strength and complexity not found in perfectly sunny and more benign years? Spiced red fruit and spice on the nose at first, it developed a darker more brooding tone as it opened up - Cardamom and exotic spice hints follow., hint of that tarry petrol note Nebbiolo can have. On the palate it is mouth-filling and elegant at the same time, with a framework of very fine tannins, ample yet not harsh at all,  supporting a compact, intense yet elegant. For more about this wine or to buy it, if any is left, read my previous entry here.

Third Course: Pan Charred Filet Mignon Medallion over Garlic Potato Confit with Beef Chili and Roasted Potato Cheddar Jalapeño Broth Topped with Sautéed Jalapeno, Onions and Cheddar Glazed Shrimp Finished with Black Pepper Demi.
 
Hermitage 1989, J.L. Chave - Absolutely classic with perfumed cassis, bacon smoke and white pepper,on the nose and an elegant lovely reiteration of these notes in the fine, silky and perfect palate. Evolved and ready to drink. How many wines of the night am I allowed?

Barolo Monprivato  Castiglione di Falletto 1984, Giuseppe Mascarello -  14%. Tar. Black fruits. Old school. Grippy. Firm.  Solid old school Barolo that needs another 5-8 at least to shed its framework of tannins that surround the intense core of tarry, black earthy fruits here. Barolo for the purists, and while it could use some more time, I think it is a tremendous wine.

Brunello di Montalcion 1981 Soldera - Only dissapointment of the night, Bit long in the tooth.
 
And finally, we ended with some excellent desserts including a house specialty called Belgian White Chocolate Lattee - an off the charts, rich concoction of strong coffee, white chocolate, decadent whipped cream, shaved white chocolate and who knows what else - should be serve dwith digitalis and a nitro-glycerin pill but what a way to go!